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A good deal of the book takes place in the U. The relationships themselves and how they play out is, for the most part, satisfying. Emotions sometimes run high and occasionally over.
There are laughs to be had in everyday misunderstandings. The characters may be foreign to me, but were nevertheless utterly relatable. After all, most everyone has a parent-child relationship to relate to.
My own relationship with my mother was, for better or worse, close. View all 21 comments. Apr 19, Rebecca rated it really liked it. After I read The Joy Luck Club summer required reading before sophomore English in high school , I started pestering my mom about her abandoned children in mainland China.
I also declared that I would name my two kids after the aforementioned abandoned children: Spring Flower and Spring Rain.
My mom laughed in my face about the latter, saying no self-respecting Chinese would give their kids such pedestrian names, and would be mock-pissed about the former.
The truth is that The Joy Luck Club got some things right and got a lot of other things dramatic. I now realize that some of my issues with my mom were probably planted by reading The Joy Luck Club; others were valid insofar as they existed within the collective repressed thoughts of first-generation Asian-Americans forced to compete against the highest standards: I think The Joy Luck Club is important because it was prominent in the mainstream and it finally allowed ABCs American-born Chinese to recognize themselves in a major work of literature.
The problem is that the book came out almost twenty years ago and there have been nearly no major additions to the genre.
I hate for people to think JLC is definitive about our culture and experience, as influential as it is. View all 4 comments.
I have a soft spot for this book. Because, damn it, Amy Tan was a pioneer, a groundbreaker. When I first read this novel at age 14 or so, it really spoke to me.
It thrilled me that someone was finally writing down the difficult truths of Asian-American mother-daughter relationships, exposing the hidden realities of my private life to the public eye.
A risky thing to do, as Amy Chua learned to her chagrin decades later. It focuses on four Chinese American immigrant families in San Francisco who start a club known as The Joy Luck Club, playing the Chinese game of mahjong for money while feasting on a variety of foods.
The book is structured somewhat like a mahjong game, with four parts divided into four sections to create sixteen chapters.
The three mothers and four daughters one mother, Suyuan Woo, dies before the novel opens. Stories about their lives in the form of vignettes.
Each part is preceded by a parable relating to the game. Ok, I admit it, I was obsessed with Amy Tan my first year of college. My daydreams were filled with her coming over to my dorm room to have tea and "talk literature.
In reality, I spent a lot of time looking her up in the old yearbooks at the library, Oak Leaves circa and I think.
I did learn some of her secrets. I learned that she never graduated from Linfield, which pretty much means nothing I was going to call Amy Tan, and speak with her myself.
Thankfully, for my sanity, I quit before that happened. Amy began to dissolve as an enigma for me, she was just another celebrity, another writer of a book.
The book was beautifully written and for obvious reasons made me homesick. It made me feel closer to my mother than ever, and I knew that, like the women in the book, I would have a special bond with her forever.
The sad thing is, after I finished the book, my love affair a la John Hinckley Jr. I rest my case. We were meant to be with each other.
View all 5 comments. Aug 23, Thomas rated it really liked it Recommended to Thomas by: Those of you who read my blog are most likely aware that my relationship with my mother is not all bouncing bunnies and beautiful butterflies.
As an American-born son raised with traditionally Asian standards, my childhood has been filled with conflicts resulting in screaming matches and bountiful tears.
So reading The Joy Luck Club by Amy Tan was quite the vicarious experience - though I am not Chinese nor a daughter, I could connect to several of the themes that ran throughout the novel.
The in Those of you who read my blog are most likely aware that my relationship with my mother is not all bouncing bunnies and beautiful butterflies.
The interweaving vignettes that comprise the book are too intricate to explain completely without writing a long review, but the book is basically about four Chinese women who immigrate to San Francisco.
Through sixteen short stories we are able to view major events in their lives that have shaped their mindsets, their worlds, and their relationships with one another.
Her diction is not all that convoluted, but the drama and tension she manages to create through her choice of words is astounding.
After reading certain sentences and phrases I stopped and thought dang. The theme that struck me the most while reading the novel was the inter-generational loss that afflicted the characters.
The misunderstandings that occurred and all the things that were lost in translation were truly tragic - and still are tragic in contemporary society.
While I had difficulty discerning the characters from one another while reading the book - I had to constantly reference the front section to keep myself from utter confusion - overall I would recommend this book to anyone who wants a bittersweet story about Chinese culture or the unbreakable bond between mothers and daughters.
View all 7 comments. Jul 21, Rachel rated it it was ok. I feel a little torn on this one. I really found the majority of this book pretty slow.
But it was really just slow for me. First of all, I think needing a character chart at the start of the book is a bad sign. But by the end of the book, I was still flipping back to the dang chart to figure out who was who, and still felt like I had no idea who the characters were, personality-wise.
Not to mention the multiple radical degree flips some of the characters performed with no warning or explanation whatsoever, that left me going, "Huuuuh?
With a teensy exception at the very very end of the novel seriously, like, last 3 sentences , it seemed like none of the mothers and daughters or even husbands and wives or friends understood each other or were capable of communicating with each other at all.
And that bothered me, because I expected a book that was going to make me feel all warm and fuzzy about being a mom. I understand that this was supposed to show the cultural split between the Chinese born-and-bred mothers and American born daughters, but how sad that none of them could overcome that to have a real relationship.
Mostly, this book felt to me like something I would have been assigned to read in high school, written a 2-page report on, and never thought about again.
Jul 22, Duane rated it really liked it Shelves: They try to pass the essence of what is most important about their old culture on to their daughters, who, being born in America, are only interrested in American culture and lifestyles.
They scoff at their mothers for acting too Chinese. All eight characters, four mothers, four daughters, have a narrative in the story.
Mothers may be harder on their daughters than on their sons because they have already made the mistakes, and they know the pitfalls that await their daughters.
What was most enjoyable for me in the novel was the stories of the mothers, their past lives in China, from little girrls to adulthood, before they came to America.
I struggled somewhat with the structure of the novel. You have eight different narratives spread over four families, two countries, and a half century.
Tying that all together, along with the secondary characters, was daunting at times. I read the book and listened to the audiobook at the same time.
The accents and intonations of the narrator was a big plus. View all 10 comments. Aug 17, Ngoc rated it it was amazing Shelves: I love this book!
As a first generation child in this country my parents immigrated from Vietnam , I could really relate to the girls in the story.
I was the girl who played piano, always being forced to practice. I think we all have ways of dealing with the pressures of childhood.
A differe I love this book! A difference this book made for me was actually reading about Asian [American] people. I like how she incorporates the old and the new.
I think Amy Tan is fabulous at painting the picture of everything involved in the Asian-Asian American immigrant-first generation experience: I have read Joy Luck Club many times.
Aug 09, Paul E. The Joy Luck Club is a great book. It tells the stories of four women who were born in China but were forced to leave due to various tragic circumstances, and their four daughters who were all born in America.
The mothers despair at the willingness of their daughters to distance themselves from their heritage. As with most things in life, it all comes down to the fact that there are pros and cons to any way of life, which is one of the reasons this life can be so hard to navigate.
For those of you who are unfamiliar with the game, the structure of mahjong is that four players have to play four hands of tiles each.
The novel mimics this by having four larger sections, each divided into four smaller parts. Superficially, the book reads like a collection of interconnected short stories, rather than a cohesive novel, but the author interweaves these stories so adeptly that it all comes together by the end of the book I found this book to be deeply moving and I even had tears in my eyes at one point.
This was my first Amy Tan novel but I will definitely be reading more of her work in future. She switches between different voices and accents fluidly and seemingly effortlessly Aside from the fact that men are merely accessory to all of the narrative strands, and that the majority of conversations are between women and girls, Tan positively critiques patriarchal trope 4.
Very overt features of gendered hierarchies which tend to hide in plain sight are kept in view, and Tan writes very cleverly to reveal more subtle aspects, making them evident in countless interactions, punctuating these little revelations with pauses for contemplation.
Below the surface swim slow thoughts lightly veiled: Even the old ladies had put on their best clothes to celebrate: Trapped in a marriage that places her in servitude to an exacting and heartless mother-in-law, she nonetheless uses great ingenuity.
The moment when she recognises her impressive inner resources is striking; few girls can rely on such self-confidence and awareness, but even so armed, her empowerment is very limited, so the story throws light on the real plight of girls like her.
I was even more fascinated though, by the ways that Chinese cultural values and traditions played out in her scheming. This happened throughout the book; modes of modesty, influencing of feelings and events, showing love, all revealed ways of knowing and being rooted in different soils and waters and fed by different suns from those that have nourished me.
Miscommunication, misunderstanding, is inevitable in the meeting of USian directness and the more subtle, artful Chinese manner of expression, heedful of hidden feelings deduced through the fine filaments of perceptive empathy only a combination of shared culture, affinity and thoughtfulness can forge.
One day, as she struggled to weave a hard-toothed comb through my disobedient hair, I had a sly thought. A bobby pin was wedged between her lips.
She wetted her palm and smoothed the hair above my ear, then pushed the pin in so that it nicked sharply against my scalp.
Not lazy like American people. Another difficulty I had was with disturbing aspects of anti-Blackness and homophobia which I wanted to chase up, but which had to be let drop, presumably for the next generation, the grandaughters, to decolonise.
I enjoyed, on the other hand, the wry laughs minted from the thoughtlessness self centredness of ignorant White men. If I wanted to extract a lesson, it would be: Whatever is in you or known to you that is not White, honour it, nourish it, tell it, create with it, share it, weave it into the new stories you live and make.
It takes, surely, deep effort and much energy to resist the action of White supremacy, the hollowing out of living cultures into exotified fetishes, consumable and subsumed.
I recommend this book especially to those who like reading about food, as I do. Tan presents a culture relentlessly attentive to good eating, the comforts of the table, and the expression of love through cooking.
The demythologising fortune cookie story, brilliantly conceived, is, to me, this book in a nutshell. View all 8 comments.
Mar 25, Brad rated it it was ok Shelves: I gave The Joy Luck Club two stars, but that ranking is based solely on my personal enjoyment of the novel.
I love dark and violent American literature. I love speculative fiction. I love Keats and Byron and Blake.
I love the Lost Generation. I almost forgot Big Trouble in Little China. There are countless removes between me and those beautiful ladies doing their "tiger-mom" bit between games of Mah-Jong and good eats.
But I never really felt myself understanding any of these women despite my desire to do so. She did her job well. I wish it were. View all 16 comments.
These mothers and daughters are connected by their genes, but they are separated by their culture and life experiences despite living under the same roof for decades - however, all are very very very fortunate with the joy and luck of each one growing up loving each other.
To me, this seems to be almost a Great Book, but with much more relationship and family comedy represented and without the width of life present in Great Books the effects of war were strikingly missing or compressed, as were the more terrible dramas of abuse or starvation.
Thankfully, it was short-listed by many literary organizations. The one thing I did not enjoy myself about this novel was its structure. Four Chinese women immigrate to America after tough lives of proscribed emotions and lack of personal fulfillment.
Three of them marry Chinese-Americans, one marries an American. All of them have American-born children, and each of them have a daughter who never learns the Chinese language beyond a few expressions and nothing of Chinese culture except odd mystifying stories of admonishment and instruction.
The Chinese mothers are born and married to their first husbands in China, for the most part in arranged marriages, but they end up eventually in America with second husbands, except for one mother who has only one marriage.
Their daughters are born in America and they grow away from their mothers for a time, not understanding very much about their Chinese culture or their mothers, even though they observed and obeyed to a limited degree what their mothers wanted.
However, once the daughters marry, sometimes twice, they grow close to their mothers. What I noticed was the Chinese mothers keep learning, changing and growing, too, along with their daughters, and these changes by the mothers were often completely overlooked by the daughters until much later.
The progression of their relationships actually sounds like a universal one to me! The barriers of generational differences were definitely higher between post-war women from China and late 20th-century American women, especially because of cultural expectations and duties.
Language affects how the brain works as well. Some readers thought Tan treated the mothers disrespectfully because she exposes the syncopated and peculiar, at least to the American mind as well as to these Chinese-American daughters, Chinese wisdom tales and country folk-quotes common to Chinese villages in the past.
I think, to me as an American, these Chinese sayings and stories are very weird and opaque, but I bet one of the fault-lines of perception is built-in due to the differing constructions and pronouncing of words and sentences between English and Chinese whether Mandarin or Cantonese.
Besides, it is obvious to me these instances of comical miscommunication and fractured understandings in conversations between mother and daughter are not only based on reality, they are one of the bricks which support the loving relationship of daughters for their mothers.
Actually, I saw my hearing cousins have giggly moments with translation peculiarities with their deaf parents; and I also saw their affection and underlying mutual, sometimes belated, recognition of comedic goings on in unintentional operatic emotional gestures of misunderstandings in their flying hands.
There is a lot of universal human depths of love and support between mothers and daughters hidden in these pages, although the focus is on Chinese social mores.
However, I could also see that American cultural mores had eroded away parts of the Chinese social prism of the mothers. I did pick up how much more painful it was for a Chinese mother to love a Chinese daughter in China in the past.
These mothers had such a harsh life compared to their American daughters, and the girls never knew until almost too late. This novel, as do many other novels and histories, demonstrates how terrible and torturous to women patriarchy is in the China chapters.
Modern America has many problems, but at least it does not any longer culturally encourage mothers to kill off their love for daughters because girls are considered almost worthless commodities only men have the right to dispose of as if their daughters were ugly couches.
I loved this book! So much joy and luck, indeed! View all 3 comments. I think the main problem was that the book felt like it needed to be longer.
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